制作 The Studio

How a conversation becomes a show.

Celebrity talk shows for Zee Music, a docu-podcast for Jos Alukkas, founder series, policy interviews and three-minute MicroPods. Same pipeline, different grammar. Hover over, or tap, the microphone.

01 The pipeline

Six panels, record to release.

01 · PRE-PRODUCTION

Look before lens

Format, run of show and a mood board: lower thirds, cold open, slates, logo sting. The edit starts before anyone sits down.

02 · ON SET

DOP when it counts

Multicam rigs, key and fill, mic checks. I light the set I will later cut, so footage arrives edit-ready.

03 · STORY EDIT

Find the spine

Selects, structure, pacing. An hour of talk becomes a conversation people stay for.

04 · MOTION

Package the show

Title sequence, lower thirds, transitions: a visual grammar each show keeps across every episode.

05 · SHORT-FORM

Cut it down

Reels, Shorts, trailers and campaign cut-downs from every episode.

06 · SHIP AND LEARN

Release, then read

Thumbnails, captions and platform versions, then retention reviews feed the next episode.

THE TEAM

Five editors, many shows, one standard

As Associate Group Head I run post for the network: quality, timelines and delivery, plus KRAs and quarterly reviews for editors and designers. Standard workflows keep it consistent. The team was named dentsu India’s Team of the Quarter for January to March 2026.

02 The formats

Not every podcast is two mics and a table.

03 The kit

Tools, and where AI fits.

  • Premiere ProStory edits and multicam podcasts
  • After EffectsShow packaging, titles, lower thirds
  • AuditionDialogue clean-up and mix
  • Photoshop · IllustratorThumbnails, slates, show art
  • Final Cut ProFast turnarounds
  • ClaudeEpisode breakdowns, hook lines, clip selection for short-form
  • Gemini ProResearch and scripting passes
  • Nano BananaImage generation for thumbnails and mood boards
  • Adobe FireflyGenerative fill and pre-visualisation in the Adobe pipeline
  • The ruleAI does the boring parts of the edit, not the editing.